Movie Review: In ‘Undertone,’ a paranormal podcast turns perilous

In the realm of paranormal-themed cinema, the film "Undertone," directed by Ian Tuason, has emerged as a notable entry, particularly for its unique approach to horror. The film, which marks Tuason's feature debut, has garnered attention for its sonic-driven narrative and minimalist setting. The story centers on Evy Babic, portrayed by Nina Kiri, who lives in a small two-story home with her comatose mother, played by Michèle Duquet. This confined environment serves as the backdrop for Evy's late-night ritual of hosting a paranormal podcast, where she engages in discussions about all things eerie with her co-host Justin, voiced by Adam DiMarco.

Critics have highlighted the film's initial appeal, noting its stripped-down quality that effectively builds tension. The auditory elements play a crucial role in creating a gripping atmosphere, utilizing sudden audio spikes—such as the ominous ticking of a clock or the unexpected scream of a tea kettle—to elicit fear. This focus on sound over visual horror is a refreshing take, especially in a genre often dominated by graphic violence and supernatural entities. The film has been rated "R" not for its depiction of gore but rather for its language, which adds to the film's distinctive character.

However, as the narrative unfolds, some reviewers have expressed disappointment with the second half of the film. After establishing a compelling tension through subtle storytelling, Tuason reportedly shifts gears, introducing a barrage of genre clichés that detract from the film's initial nuance. Elements such as ancient Christian lore and children's lullabies are invoked, which some critics feel undermines the carefully crafted atmosphere that defined the earlier portions of the film.

"Undertone" has sparked discussions among audiences and critics alike, particularly regarding its innovative sound design and the effectiveness of its horror elements. While the film's latter half may not resonate with all viewers, its initial premise and execution have positioned Tuason as a filmmaker to watch in the future. As the film navigates the complexities of grief, fear, and the unknown, it raises questions about the nature of horror itself and how it can be conveyed through different mediums.

As with any work of art, interpretations vary, and the reception of "Undertone" may evolve as more audiences engage with it. Paranormal Country has not confirmed the claims made by various critics regarding the film's effectiveness or shortcomings, leaving room for individual exploration and interpretation of this intriguing cinematic experience.